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Posts Tagged ‘budo’

Physics of punching

Posted by arnulfo on 2007/07/24

In the late 1970s, when Feld was earning a brown belt in karate, his instructor, Ronald McNair, also happened to be his physics student. (McNair later died tragically while working as a scientist-astronaut aboard Space Shuttle Challenger.) The secret to karate, both men agreed, lies in the speed and exceptional focus of the strike. But just how fast does a karate punch move? To find out, they joined with undergraduate Stephen Wilk and set up a strobe light that flashed either 60 or 120 times per second. Then they photographed McNair and others throwing various kicks and punches. Once the film was developed, they could calculate the speed of a punch by counting how many times the strobe flashed until the fist hit its target.

Feld and McNair found that beginning students can throw a karate chop at about 20 feet per second–just enough to break a one-inch board. But a black belt like McNair could chop at 46 feet per second. At that speed, a 1 1/2-pound hand can deliver a wallop of up to 2,800 newtons (one newton is roughly equal to the force exerted by the weight of an apple). Splitting a typical concrete slab 1 1/2 inches thick takes on average only 1,900 newtons.

Of course, the best boxers can punch as quickly and powerfully as any black belt. Why can’t they break concrete blocks too? The answer lies in the nature of their punches. When a boxer throws his fist, he usually ends the movement with follow-through. This gives the punch maximum momentum (golf and tennis players follow through for the same reason), and it can help knock an opponent down. But the impact itself is diffuse: It’s meant to jar an opponent’s brain, not crack his skull.

A karate chop, on the other hand, has no follow-through at all: It lashes out like a cobra and then withdraws instantly When a black belt hits a slab of concrete, for instance, his fist touches the block for fewer than five milliseconds, and yet the block breaks with a resounding crack.

To understand how this works, Jearl Walker, a former tae kwon do student who now teaches physics at Cleveland State University, set up a study much like Feld’s and McNair’s. A well-thrown fist, he found, reaches its maximum velocity when the arm is about 80 percent extended. “That’s exactly what my tae kwon do master had taught me,” Walker says. “You learn to focus your punch in your imagination so that it terminates inside your opponent’s body, rather than on the surface. To deliver the maximum power, you want to make contact before the slowdown begins.”

The purpose of all that focused power is brutally obvious: to break bones and rupture tissue. But success also depends on more subtle forces. Solid as they seem, all materials are at least slightly elastic. Whack them in the right spot and they will start to oscillate. A punch with a follow-through would dampen such oscillations, but a karate chop, by pulling away at the last moment, lets them move freely “If you tweak a rubber band it goes up and down, and the same is true if you tweak a board or a brick with a much greater force,” Feld says. “When they reach their elastic limits, they start to yield. In other words, they break.”

Fortunately for most of us, reaching that limit in bones is no easy matter. Feld says bone can withstand 40 times more force than concrete, and a cylinder of bone less than an inch in diameter and 2 1/3 inches long can withstand a force of more than 25,000 newtons. Hands and feet can withstand even more than that, because their skin, muscles, ligaments, tendons, and cartilage absorb a great deal of impact. As a result, a well-kicked foot can absorb about 2,000 times as much force as concrete before breaking.

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Where Did the Power Come From?

Posted by arnulfo on 2007/07/23

How does a 187 pound man hit harder than a 200+ pound man when both are trained fighters? There’s an axiom in boxing that says “You can’t teach power. Either a fighter is born with it or not.” Hundreds and hundreds of fighters have proven it to be true. One heavyweight is a formidable knockout artist while another rarely hurts an opponent and must win by points, even though they might be identical in height, weight, and the size of their muscles.

Part of it lies in how a fighter sets himself when he delivers his blow. A pure boxer stylist will be on his toes, mobile, with little contact with the floor when he hits. The force of his impact comes from his arms and shoulders only. But a slugger, a Jim Jefferies, Joe Louis, Dempsey, Frazier, Foreman, Tyson, or Marciano, will plant his feet flat as he punches, using the floor for leverage to get more of his body weight behind the punch.

Another part is “commitment to the punch”. The fighter who is worried about a counter blow is going to hold something back. He wants to be able to block the counter punch if it comes. But, the fighter who has no fear of retaliation, who accepts that he might get hit in return and couldn’t care less, will put everything into the punch. Marciano knew before he stepped into the ring that he would get hit a lot during the course of the fight. He accepted it beforehand and didn’t let it interfere with his intention to bang away at his opponent. When Rocky let go he was totally committed to the punch, putting every ounce of energy and body weight into every punch.

Marciano’s incredible power began in his feet as they pushed off the mat. The energy was fed by his thick, muscular legs, the swivel of his hips, and the twist he’d put into his upper body as he snapped forward his arm and fist.

Where the power came from might be best illustrated in a letter I received from a doctor who works with internal medical problems and trauma. He told me this: “Now what determines the power of a punch? I mean the formula… The effect of a punch is calculated by the energy applied at the sight of the hit. So the kinetic energy of Marciano’s punch, that is the degree of damage the punch would generate, is equal to 1/2 mass x velocity x velocity (1/2mv2). Rocky’s was equal to the mass of the arm plus the weight he shoved forward with body weight. Next, he hit in close. As your arm moves forward the time from beginning to end increases as you increase the distance of the thrown punch. Since velocity = feet per sec, that means the longer the range the less velocity. Now the energy generated is, remember, mass times vel x vel. Well if your punches are so much shorter, traveling only a few inches, your velocity is incredible! And the transmitted energy at impact is enormous! That calculation of energy is the destructive force (damage) to the body. Basically he broke his opponents up inside. Had George Foreman been a swarmer, he would have been a better fighter. He was a slugger. But as strong as he was he hit from too far away. Frazier was not as powerful as Marciano. He had a similar style, but didn’t hit as hard (didn’t use shifting weight, etc).”

This generation of power to the point of impact was described by boxing writer Nat Tashman in the July 1986 issue of Boxing Beat:
“Considering the weight advantage Rocky gave away to opponents, few seem to know the key to his power. Fully believing in his ability to take a punch and confident he couldn’t be knocked out, he’d wade in to position himself as close as he could get. Then, like lifting a weight, he’d plant his muscular, stumpy legs and thighs, and swivel-hip his punch. At that point, he was delivering his full 187 pound, adrenaline-loaded wallop for the lights-out contact.”

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Professor Yamashita Goes to Washington

Posted by arnulfo on 2007/06/26

Journal of Combative Sport, Oct 2000By Joseph R. Svinth

A slightly different version of this article appeared in Aikido Journal, 25:2 (1998). Copyright © 2000 Joseph R. Svinth. All rights reserved.


What if we made our judo known abroad? Wouldn’t it be a great thing which would allow us to get people to know Japan better? …What do hardships
matter? For any pioneer, it is not a matter of harvesting, but of sowing.– Yoshiaki (Yoshitsugu) Yamashita, circa 1887


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CITIZENSHIP IN A REPUBLIC

Posted by arnulfo on 2007/06/26

The Man In The Arena” Speech at the Sorbonne

Paris, France

April 23, 1910

 

Theodore Roosevelt

 

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